Thursday, December 07, 2006

TIDE OF TWO COUNTRIES


The performance is on the occasion of the 60th Anniversary of His Majesty the King's Accession to the Throne.
November 29 - December 3, 2006.
Muang Thai Life Assurance's auditorium.
Directed by Janaprakul Chandruang
Music directed by Dun Huntrakul
Produced by Ed Piromya
The play is a story of the political and economic development of Thai society in the aspect of a Chinese descendent and his children, from 1940s to the crisis in late 1990s.










FINDING MARINA


The performance is by child survivors of the devastating tsunami in the Indian ocean.
Directed by Toby Gogh
The Botonic Garden, Edinburgh Festival 2006




Monday, November 20, 2006

PINK ELEPHANT (A BUTOH DANCE)


directed by Kasura Kan
Arts theatre, Chulalongkorn University
Bangkok Thailand.

Saturday, November 11, 2006

KLIN KEAW CHAO CHOM (The scent of Lignum Vitae - Guaiacum officinale linn)


The musical for celebrating the 70th anniversary
Suan Sunandha Rajabhat University
at Saisudthanopadol façade
8-12 November 2006
Written by Daraka Wongsiri
Directed by Suwandee Jackravorawot

The performance was created to the beloved King Rama V's queen, Queen Sunandha Kumariratana (10 November 1860 - 31 May 1880) who was killed along with her daughter by the royal boat accident on the way to the Bang Pa In royal place (Summer palace).
The show started with the Golden and Silver - branch dance as a blessing dance and the lotus lantern dance to celebrate the 70th anniversary Suan Sunandha Rajabhat university. Then, the spirit of Keaw Chao Chom (Lignum Vitae- the symbol of Suan Sunandha) as a narrator come on stage with her following fairies to feedback the living air of the old days. Referring to the great lost of the dearest Queen, Ngo Pa (A negrito tragic drama - the catastrophic love between LumHab, KaNang, and Hanoa - written by King RamaV: a dramatic text concerning the Semang negritos of southern Thailand) was presented to metaphor these two tragedy.
Afterwards, the spirit of Keaw Chao Chom led audiences to experience the old brisk lifestyle in the Suan Sunandha palace and the essential incidents through times until its transformation as Suan Sunandah Rajabhat university today.







Thursday, November 09, 2006

SYLVIA



written by Albert Ramsdell Gurney
translated by Pawit Mahasarinand
directed by Suwande Jackravorawot
produced by Dreambox Theatre
Bangkok Theatre, Thailand


Young and cute, Sylvia is street-smart, outspoken and sweeps married Greg off his feet!
So what’s new? Nothing, except the other woman in this affair just happens to be a dog!
A dog who is a shameless flirt, who not only talks back when spoken to, but quotes Homer and sings Cole Porter!!


Originally played by Sarah Jessica Parker (Sex And The City) in the very successful Off-Broadway hit, the sassy little mongrel immediately becomes a major bone of contention between husband and wife.

Greg is a financier whose life has stalled. His wife, Kate, has a new career. Greg embarks on a delicious and dizzy love affair. So what's new? The other woman in this affair just happens to be a dog! A dog who is a shameless flirt, who not only talks back when spoken to, but quotes Homer and sings Cole Porter. Don't believe it? You'd better see it - even if you're a cat lover!

"Dramatic literature is stuffed with memorable love scenes, but none is as immediately delicious and dizzy as the one in A. R. Gurney's new comedy, Sylvia... a hysterical comedy for anyone who's ever owned a dog, loved a dog, or wanted to wring a dog's neck"


- The New York Times

http://www.itheatre.org/Sylvia.htm

Wednesday, November 08, 2006

'ART'


'Art' (the quotation marks are part of the title) is a comedic play by Yasmina Reza, which raises questions about art and friendship.
The plot concerns three old friends, Serge, Marc and Yvan. Serge has just indulged his penchant for modern art by buying a large, expensive and almost blank white painting. Marc is horrified, and their relationship suffers considerable strain. Yvan is caught in the middle, trying to please and mollify each of them in turn.

http://en.wikipedia.org/wiki/)

translated by Pawit Mahasarinand
directed by Suwande Jackravorawot
produced by Dreambox theatre
Bangkok Theatre, Thailand
June 2000



Saturday, November 04, 2006

THE AMERICAN DREAM



Sodsai’s American Dream
Published on Nov 21, 2003

The doyen of modern Thai theatre, Sodsai Phantoomkomol, celebrates her return to the stage with the play she first directed 25 years ago.
At 70, the pioneer of modern Thai theatre, Sodsai Phantoomkomol, looks at least 10 years younger than her age. Her soft eyes and happy gaze are reflected through her trademark oversized glasses. Today is a happy day for the retired lecturer, who has decided to return to her life long career with a remake of the beloved absurdist drama she produced 25 years ago, “Yod Prathana”.
This adaptation of Edward Albee’s “The American Dream” opens today at the Bangkok Playhouse.“Yod Prathana”, she explains, was the obvious choice for revival because its content is as applicable in today’s society as it was back in 1962, when Pulitzer-prize winning American Edward Albee gave birth to what was called absurdist drama.
“The story reflects human beings in a materialistic world that destroys relationships between people. Thailand has now reached that level, and I wish it hadn’t because the story is very sad despite the funny situations,” says the director-lecturer who is known as the Khru Yai (the Principal) of modern Thai theatre.
“Yod Prathana” brings together five people: a father, a mother, a grandmother, a saleswoman and a young, physically perfect man, Yod. They portray the lives of people in a society where money can buy everything. Initially Sodsai intended to use as many of the same actors as possible who she worked with 25 years ago. Sadly, her original cast members are successful in their own right and only two were free to star in the latest production.Somphol Chaisiriroj plays the role of the father, a role he first played when he was a student. A marketing director of the ICC International, he was able to rearrange his otherwise hectic schedule for the production. Now in his 40s, Somphol uses personal experience to interpret the character. Monruedi Katephan also returns to tread the boards as Somphol’s wife. Monruedi is now the acting director of the public relations department of the Airports Authority of Thailand. “I have kids now and they are similar to the youngsters in the play in many ways. I certainly understand my character better than I did 25 years ago,” says the actress. For the saleswoman, Sodsai has selected her talented student Ranya Siyanon, while Kunkanich Khumkrong was handpicked from another school she founded – the legendary Channel 3 Acting School – to play the grandmother. Rookie actor Karoonphol Thiansuwan from the same school plays Yod Prathana.
After graduating from Chulalongkorn University, Sodsai studied theatre art at the University of North Carolina and the University of California at Los Angeles. She then signed a contract with Twentieth Century Fox as an actress. On her return to Thailand in 1966, she founded the first modern theatrical school-cum-theatre department at Chulalongkorn University’s Faculty of Arts.When Sodsai established the theatre department, drama and theatre were not popular subjects, especially at the Faculty of Arts, where most were learning languages with the hope of finding a job with the Foreign Ministry or of becoming educators. But Sodsai managed to build the foundation and worked with the students to turn the university’s stage plays into art showcases. Under her reign, the Faculty of Arts produced a number of acclaimed stage plays including “Rashomon”, “Mother Courage” by Bertolt Brecht and “Oedipus”. She also created a number of valuable human resources for the entertainment industry, among them Buranee Ratch-chaiboon of Siam Studio and Ornchuna Yuthawong.
The Sodsai Award was initiated by the Dass Entertainment company and annually awards young theatre students for coming up with original scripts.Sodsai has worked as a director throughout her teaching career, mostly adapting plays from well known Western theatre pieces. These include “Tukkata Kaew” (based on Tennessee Williams’ “The Glass Menagerie”) and “Prai Nam” (from “The Ondine” by Jean Giraudoux), which she put on both at the faculty and in outside theatres. She also directed TV dramas “Kham Phiphaksa” (The Judgement) and “Khon Dee See Ayutthaya” while teaching at the Channel 3 Acting school.Sodsai retired in 1993. Last year her husband, Dr Trong, died of cancer. To help her cope with her loss, her former students, many of them now lecturers at the department, invited her to be a special lecturer and encouraged her to stage another play.Sodsai accepted the offer gratefully. These days, she teaches an independent study class attended by the most talented of the department’s senior students.
Parinyaporn Pajee
The Nation














Friday, September 29, 2006

WAITING FOR GODOT


by Samuel Beckett
Arts Theatre, Chulalongkorn University






Wednesday, September 27, 2006

TWELFTH NIGHT



THEATER; 'Twelfth Night' At Yale Repertory

By ALVIN KLEIN Published: February 12, 1995, Sunday

New York Times

WHAT is reassuring about the Yale School of Drama's "Twelfth Night" is its palpable sense of ensemble fun in a production where chaos wins over cohesion.
Granted that "What You Will" is the comedy's alternate title and that the director Mark Rucker, in his return to Yale two years after graduating from the directing program, is in a farcically free-for-all state of mind. Still, his is a "Twelfth Night" not "untangled by the whirligig of time." A program note reminds one that "Where there is no illusion, there is no Illyria." In "Twelfth Night" according to Mr. Rucker, there is no illusion. Delusion, perhaps.


In reality, there is no Illyria either. So there is no need for geographical (Adriatic Sea) or for that matter temporal (17th century) fidelity. Anything, indeed, goes.
And has. "Twelfth Night," so called only because it was written for the festive occasion on the sixth of January, has often inspired contemporary musical reworkings, including "Music Is" and "Your Own Thing." Since the play asks the eternal question "What is love?", it is arguably more open to unbounded interpretation than any play in the canon. In Mr. Rucker's view, the play appears to take place outside an Italianate cabana club as though an extra or two, fresh from a Fellini or a Marx Brothers outtake, were wandering through the Borscht Belt, under the influence of a snort of cocaine and a tune by Kurt Weill.
The centerpiece of Ritirong Jiwakanon's setting, which mirrors penthouse-party decadence, is a pool. The pool is for dunking and splashing. Shakespeare's water music is ill served. Disconcerting as it is to observe a duel with swords at a 1960's poolside, it's simply silly to see a Sebastion (Nathan Hinton) and a Viola (Sanaa Lathan) so incongruously unalike, save for skin color, that no one could mistake one for the other. Except, granted, Suzanne Cryer's nymphomaniacally unhinged Olivia. Ensemble or no, Ms. Cryer is working the room. And Sir Toby Belch belches, after the pickled herring. Elvis and Donovan are heard. The mood is, at once, orgiastic and juvenile. The memory is of sunglasses, sun screen, towels, chopsticks, boots, blazers, flasks and bongo drums.


John Bland plays an outlandish Malvolio who makes a stab at duality of characterization. Trevor Anthony (Sir Andrew), Stephen DeRosa (Feste, the clown) and James Hallett (Sir Toby) are resort comics, with Mr. DeRosa being a crooner too. Michael Strickland, doubling as Sebastian and as the captain in some performances, is a funny hippie priest replete with love beads.
How many "Twelfth Night" productions have put the clown's premise "Nothing that is so is so" to a test of such severity? Mr. Rucker's is a long night's irrational, lustful spaced-out romp, with too many side trips to Romper Room.
"Twelfth Night," through Saturday, at the Yale Repertory Theater, corner of York and Chapel Streets in New Haven. 432-1234.